1933 · New York
The tales are perfectly complemented by the artwork of Harry (Henry Patrick) Clarke (1890-1931), who would become a leading figure in the arts and crafts movement. Clarke was apprenticed as a glass-maker to his father, the head of a large firm of stained glass artists, in 1906. An accomplished glass artist whose work can be seen in both secular and religious settings, Clarke's illustrations can be compared to that of Aubrey Beardsley, Kay Nielson, and Edmund Dulac, taken up during the tail end of what was considered the Golden Age of Illustration; his work is often imbued with a sinister atmosphere also exemplified by Beardsley and which come to full force in this work.
A stunning example, the volume incredibly clean and fresh, in a dust jacket that is clean and bright, and with the original box: Poe's "Tales", with Clarke's illustrations, as they were meant to be.
___DESCRIPTION: Bound in full black cloth over boards, gilt decoration and lettering on the spine, paper label mounted onto front board with an illustration by Clarke in black and white over a half-gold ground above black lettering and decorations, top edge stained black, black endpapers, tipped-in colour frontispiece, title page with small illustration by Clarke, seven additional full-colour plates by Clarke bound in throughout plus twenty-four pages of black and white illustrations (two of the pages constitute a single double-spread illustration), chapter tailpieces by Clarke throughout; quarto size (10 5/8" by 8 1/4"), pagination: [1-8] 9-412, followed by a half-page Clark vignette. With the publisher's dust jacket, Clark illustrations on front and spine in black, white and yellow, black lettering on front and spine on a yellow ground, the rest of the jacket coal-black other than the inner portions of the flaps which are plain white, free of lettering or ornamentation. Contained within the publisher's box, the sides covered with black paper, the bottom with plain white paper, the top with a mounted white page with blue ruled borders enclosing one of the full-colour illustrations with black lettering both above and below.
___CONDITION: Volume fine overall, the binding clean and unworn, the paper label on the front clean and without any wear, straight corners without rubbing, a strong, square text block with solid hinges, the interior is clean and bright, and entirely free of prior owner markings; the colour frontis slightly creased at the bottom gutter corner (from catching when the book was closed as it was tipped in at the top, not mounted), else fine; clean, crisp, and almost as new. The dust jacket is unclipped (although without a printed price), clean, the colours deep and bright (utterly unfaded), with a minimum of light scattered overall wear, the most noticeable to the two front corners with very small loss to the lower front corner. The publisher's box a solid very good, with minor overall soiling, the lid with two seams just beginning to break and a bit of wear to the black paper, the bottom with a bit more wear and two seams partially split, however, still sturdy.
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___Swan's Fine Books is pleased to be a member of the ABAA, ILAB, and IOBA and we stand behind every book we sell. Please contact us with any questions you may have, we are here to help. (Inventory #: 21032106)